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Poll1: Best director  

136 members have voted

  1. 1. Best Director of all time

    • Woody Allen
      1
    • Paul Thomas Anderson
      1
    • Wes Anderson
      5
    • James Cameron
      8
    • Coen Brothers
      7
    • Francis Ford Coppola
      4
    • Walt Disney
      4
    • Clint Eastwood
      16
    • David Fincher
      2
    • Alfred Hitchcock
      4
    • Peter Jackson
      4
    • Stanley Kubrick
      8
    • Akira Kurosawa
      1
    • George Lucas
      10
    • David Lynch
      2
    • Sam Mendes
      0
    • Cristopher Nolan
      11
    • Guy Ritchie
      16
    • Martin Scorsese
      17
    • Ridley Scott
      17
    • M. Night Shyamalan
      2
    • Steven Spielberg
      33
    • Quentin Tarantino
      33
    • Orson Welles
      0
    • Edgar Wright
      1
    • Michael Bay
      5


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Watched Patriots Day (about the Boston marathon bombing) yesterday.

Really enjoyed it.

 

saw that while i was looking for something to watch..will give it a bash

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the door to a follow-up movie was left wide open: that explanation she gave to the daughter as to why daddy was no longer around. that's a big question unanswered in the movie: what did he mean she was on the wrong side?

 

Not sure I understand your question: Is this what you are talking about?

 

"As the ending clarifies, Louise has a choice to allow events to occur as she currently perceives them… or to not let them happen in this way, sparing her the pain of losing a daughter she already deeply loves by denying that kid a chance to even exist. As fittingly revealed out of sequence, Louise asks Ian at the end of the film that if he could see the whole story of his life, would he allow events to transpire exactly as they do? He responds with a wishy-washy answer about how he isn't sure right now. But we already know from a previous memory of the future that Louise and Ian's marriage ends because she tells him too early about what she knows. As Louise vaguely explains with paternal love to Hannah, she told Ian about the choice she made, and he thought she chose wrong.

 

For Ian, watching Hannah die from an incurable disease made their whole marriage, and the whole story of their shared live, unendurable. However, as with most matters in regard to bringing life into this world, it was the woman’s choice. Louise’s choice. She chose to allow Hannah to be born, and as a result, she exercised her free will by enjoying her life story’s organic telling."

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Not sure I understand your question: Is this what you are talking about?

 

 

"As the ending clarifies, Louise has a choice to allow events to occur as she currently perceives them… or to not let them happen in this way, sparing her the pain of losing a daughter she already deeply loves by denying that kid a chance to even exist. As fittingly revealed out of sequence, Louise asks Ian at the end of the film that if he could see the whole story of his life, would he allow events to transpire exactly as they do? He responds with a wishy-washy answer about how he isn't sure right now. But we already know from a previous memory of the future that Louise and Ian's marriage ends because she tells him too early about what she knows. As Louise vaguely explains with paternal love to Hannah, she told Ian about the choice she made, and he thought she chose wrong.

 

For Ian, watching Hannah die from an incurable disease made their whole marriage, and the whole story of their shared live, unendurable. However, as with most matters in regard to bringing life into this world, it was the woman’s choice. Louise’s choice. She chose to allow Hannah to be born, and as a result, she exercised her free will by enjoying her life story’s organic telling."

 

Ah, yes. Now I remember that. That's what I think as well. 

 

Different views on bringing a child into this world KNOWING they will suffer from an incurable disease and die. 

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Watched Manchester by the Sea last night. Quite an endearing film and Casey Affleck's performance has received a lot of attention in the build up to the Academy Award nominations. Definitely worth a watch if you are into that sort of thing.

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Watched Patriots Day (about the Boston marathon bombing) yesterday.

Really enjoyed it.

I tend to stay away from anything that involves an american flag blowing in the wind

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Watched Patriots Day (about the Boston marathon bombing) yesterday.

Really enjoyed it.

 

 

I tend to stay away from anything that involves an american flag blowing in the wind

 

I'm getting a bit tired of the Peter Berg/Mark Wahlberg love affair. Lone Survivor, Deepwater Horizon, Patriot's Day... It's getting to the point where you can fall asleep in one movie and wake up in the next and not realise you are watching two completely different movies. 

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Not sure I understand your question: Is this what you are talking about?

 

"As the ending clarifies, Louise has a choice to allow events to occur as she currently perceives them… or to not let them happen in this way, sparing her the pain of losing a daughter she already deeply loves by denying that kid a chance to even exist. As fittingly revealed out of sequence, Louise asks Ian at the end of the film that if he could see the whole story of his life, would he allow events to transpire exactly as they do? He responds with a wishy-washy answer about how he isn't sure right now. But we already know from a previous memory of the future that Louise and Ian's marriage ends because she tells him too early about what she knows. As Louise vaguely explains with paternal love to Hannah, she told Ian about the choice she made, and he thought she chose wrong.

 

For Ian, watching Hannah die from an incurable disease made their whole marriage, and the whole story of their shared live, unendurable. However, as with most matters in regard to bringing life into this world, it was the woman’s choice. Louise’s choice. She chose to allow Hannah to be born, and as a result, she exercised her free will by enjoying her life story’s organic telling."

 

you seemed to have understood my question just fin, and yes, that may be the answer to my unanswered question :thumbup:

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Watched Patriots Day (about the Boston marathon bombing) yesterday.

Really enjoyed it.

I like Wahlberg

He's been filming lots hey

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Watched Manchester by the Sea last night. Quite an endearing film and Casey Affleck's performance has received a lot of attention in the build up to the Academy Award nominations. Definitely worth a watch if you are into that sort of thing.

It's been on my to watch list for ages now
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OK.. Watched arrival... Bit wishy washy... Certainly doesn't deserve it's 8+ rating... I'd give it a 6.5 at best

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Watched Patriots Day (about the Boston marathon bombing) yesterday.

Really enjoyed it.

OK.. Watched it.. Good old straight entertainment.. No thinking required.. But enjoyed it
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so over the oscars...

 

Here are the nominations in the key categories.

 

Best Picture

  • "Arrival"
  • "Fences"
  • "Hacksaw Ridge"
  • "Hell or High Water"
  • "Hidden Figures"
  • "La La Land"
  • "Lion"
  • "Manchester by the Sea"
  • "Moonlight"

 

Best Actor

  • Casey Affleck, "Manchester by the Sea"
  • Denzel Washington, "Fences"
  • Ryan Gosling, "La La Land"
  • Viggo Mortensen, "Captain Fantastic"
  • Andrew Garfield, "Hacksaw Ridge"

 

Best Actress

  • Isabelle Huppert, "Elle"
  • Ruth Negga, "Loving"
  • Natalie Portman, "Jackie"
  • Emma Stone, "La La Land"
  • Meryl Streep, "Florence Foster Jenkins"

 

Best Director

  • Denis Villeneuve, "Arrival"
  • Mel Gibson, "Hacksaw Ridge"
  • Damien Chazelle, "La La Land"
  • Kenneth Lonergan, "Manchester by the Sea"
  • Barry Jenkins, "Moonlight"

 

Best Supporting Actor

  • Mahershala Ali, "Moonlight"
  • Jeff Bridges, "Hell or High Water"
  • Lucas Hedges, "Manchester by the Sea"
  • Dev Patel, "Lion"
  • Michael Shannon, "Nocturnal Animals"

 

Best Supporting Actress

  • Viola Davis, "Fences"
  • Naomie Harris, "Moonlight"
  • Nicole Kidman, "Lion"
  • Octavia Spencer, "Hidden Figures"
  • Michelle Williams, "Manchester by the Sea"

 

Best Original Screenplay

  • Taylor Sheridan, "Hell or High Water"
  • Damien Chazelle, "La La Land"
  • Yorgos Lanthimos and Efthimis Filippou, "The Lobster"
  • Kenneth Lonergan, "Manchester by the Sea"
  • Mike Mills, "20th Century Women"

 

Best Animated Film

  • "Kubo and the Two Strings"
  • "Moana"
  • "My Life as a Zucchini"
  • "The Red Turtle"
  • "Zootopia"

 

Best Foreign Language Film

  • "Land of Mine," Denmark
  • "A Man Called Ove," Sweden
  • "The Salesman," Iran
  • "Tanna," Australia
  • "Toni Erdmann," Germany

 

Best Documentary Film

  • "Fire at Sea"
  • "I Am Not Your Negro"
  • "Life, Animated"
  • "O.J.: Made in America"
  • "13th"
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