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Posted

Yes please!!! Except I don't wanna pay for it. LOL. That high, with a view of CP THAT good!? Mega millions.

:ph34r: I can't even afford to tip the doorman in that kind of location.

 

But something seems odd about it to me. Can't quite put my finger on it, but it's as if it is an impossible angle. Too high up for any apartment building I can think of in that area. The real tall buildings are all much further down Manhattan. Could it be a composite?

Posted (edited)

:ph34r: I can't even afford to tip the doorman in that kind of location.

 

But something seems odd about it to me. Can't quite put my finger on it, but it's as if it is an impossible angle. Too high up for any apartment building I can think of in that area. The real tall buildings are all much further down Manhattan. Could it be a composite?

Could also be a long lens, so the perspective would be off... digging now. 

 

Aaaaand found. 300m (1000ft) above ground level, so the perspective is right. And bloody amazing!

 

https://www.nytimes.com/2019/02/06/t-magazine/hiroshi-sugimoto-architect-manhattan.html

 

But as Sugimoto contemplated the commission, the idea of “just a tearoom” began to metamorphose into something bigger, more ambitious. The couple’s original architect had dropped out, leaving the 7,700-square-foot apartment, located on an upper floor of a skyscraper in the middle of Manhattan, untouched, with bare walls and dusty cement floors. The couple had already visited a few architectural works of Sugimoto’s in Tokyo, including a restaurant in Aoyama and an art gallery in Ginza. They wondered: Would Sugimoto be interested in designing the entire apartment? He agreed, though both sides were unaware that it would eventually require four years, multiple trips to Japan, the shipping of rare materials (stones salvaged from an old Kyoto tram station, enormous planks of ancient cedar wood) from Japan to New York, the flying in and housing of specialized craftsmen from Japan to complete finishing details, the training of New York-based contractors in other site-specific tasks and the dedicated input of several experts, including the Brooklyn-based architects Susan Yun and Felix Ade of Yun Architecture; the main contractor, Xhema of New York; and the former curator of the bonsai collection at the Brooklyn Botanic Garden, Julian Velasco, who imported and shaped two ficus trees grown in Florida, 75 and 85 years old, for an indoor garden Sugimoto designed.

Today, the finished apartment is a totalitarian vision — every room conforming to the one before it, each made completely in, as Sugimoto calls it, “Japanese style,” hung at the client’s request exclusively with his artwork and furnished with his custom-made furniture and light fixtures. It is unlike any home I have encountered, for a home, even the most luxurious, normally offers at least occasional hints of its owner’s personality, from a misplaced leather couch to a plant that survived a previous marriage to the inevitable smaller clashes in style of two people forced to share a space. But that was not the case here. No, this entire apartment was — as Sugimoto made sure I understood — entirely a work of art.

Edited by Captain Fatbastard Mayhem
Posted

:ph34r: I can't even afford to tip the doorman in that kind of location.

 

But something seems odd about it to me. Can't quite put my finger on it, but it's as if it is an impossible angle. Too high up for any apartment building I can think of in that area. The real tall buildings are all much further down Manhattan. Could it be a composite?

Article:

 

The artist Hiroshi Sugimoto’s first architectural project in New York City is a defiant celebration of a bygone age.

 

 

https://www.nytimes.com/2019/02/06/t-magazine/hiroshi-sugimoto-architect-manhattan.html#click=https://t.co/i9aUOnX9de

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